Saturday, September 22, 2012

RANT #1: Why I Didn't Like the Sweeney Todd Movie and Other Things About Tim Burton I Need to Get Off of My Chest

So I've been thinking a lot about this, and I am wondering why so many people loved the Sweeney Todd movie. And why has it scored four-out-of-five stars on IMDB and 86% Fresh on Rotten Tomatoes? Now, I can understand anyone's argument who defends it; Tim Burton's style is fantastic, and Johnny Depp and Helena Bonham Carter are terrific actors. This is what bothers me, though. His style has become cliche to me. And will Tim Burton ever cast anyone other than these two as primary characters?

The answer seems like "yes" by the looks of Frankenweenie, but I digress.

 This dog is also confused as to where Johnny Depp is.

What I'm worried about is that people seem to love the Sweeney Todd movie; sure, the style is beautifully executed, but for me, it's too broody and dark. If you've seen or listened to any production of the actual stage musical, you'd hear that, despite its grim concept, it is actually a very fun and darkly hilarious show.

I did not find the movie to capture any of this humour in an enjoyable way. My argument also goes along with the gradual dread of the idea of another Tim Burton movie coming out, because it all seems the same, even though there are different characters, and different stories, but still, to me, it's getting to be overly repetitive.

I want to be excited for his movies; I really do! I loved his versions of Batman, and Beetlejuice was hilarious! I felt that Edward Scissorhands was extraordinarily beautiful, too. Nowadays, I feel like I know what to expect out of his newer movies, and I just hesitate to even consider seeing any.

What I'm wondering is how he didn't capture my heart with any of the Sweeney Todd characters I had come to know and love from the stage musical when he had done so many darkly comical films in the past. Again I felt that it was overly broody, like a teenager who is depressed because he or she are "misunderstood."

No one understands me. Not even people who are just like me.

I came across a forum post with the topic question asking "Why do you think some people don't like Tim Burton?" An answer I came across by someone with the screen name "i_luv_JDepp" who says, "I think a lot of people really just don't get him. People who don't understand what it feels like to be alone, people who don't stand out, or people who are just normal probably don't understand the depth of his work. I mean, most of his fans are his fans because they can relate to his work, right?"

I think this post is bull on a lot of levels. First, "people just don't get him"? When I was younger, I was fascinated with his work. I loved everything about his dark take on life, and that everything was broody and anything that was optimistic was stupid. I understand, even now, what he's all about. But what bugs me is this: Why can't you just move on from being broody and depressed? Considering that life is a wonderful and fantastic thing, why does it always have to come off as dull and pointless? Is it because he thinks that it is and can't move on to thinking otherwise? If that's what he has in mind, I don't think his work will remain relevant to most people as they grow older.

My second complaint about this post is that the author says that "People don't understand what it feels like to be alone". Really? I'm not going off of statistics, or anything, but I'm pretty sure most people do know what it's like to be alone. Generally, though, most people don't brood about it. I think that may be a good reason why I don't understand Tim Burton, anymore; what good is it to complain about how lonely you are? Sure, people are different and have different tastes, and they could even be outcast. That is lonely. But are people like that forever? I wouldn't hope so... If that's the case, then I'm sorry to them; let them have their Tim Burton movies. But I think people mostly move on. Am I wrong?

For my third complaint, I want to know if I'm "just normal," and that's why I don't understand the "depth" of his work. Honestly, I feel like if I was at either end, I wouldn't feel any depth anyway with most of his new work. I liked Dark Shadows, to be honest, but it was because it felt different. It had an emphasis on family resolving loneliness, and I understood that and its depth. It bothers me that people make these assumptions regarding people who just don't care for Burton's recent work.

My fourth complaint is a minor one, but it is something I constantly see with Tim Burton's fanbase; the girls like his work because Johnny Depp is in it. Now, I try to be tolerant of fanboys and fangirls, but in this case, it has just gotten annoying. I mean, look at her screen name! I feel that people who watch Tim Burton's movies aren't really in it for the art, nowadays, because I feel like they are just in a shallow and weird obsession with Johnny Depp in broody, weird roles.

"Johnny Depp is so hot when he looks sad," said the fangirl in the back, an alleged Tim Burton fan.

I may be wrong in most of my arguments, but I can make one conjecture that I am at least somewhat adamant about:

When Tim Burton had just started, he didn't know exactly who is audience was, most likely. He made his films to appeal to a more general audience so he could try and generate a loyal demographic, and eventually, he did. Now that he's aware of this fanbase, he's tailoring almost all of his films to appeal mostly to them, alienating me and an array of other people who dislike his work, now. I can't connect to them, anymore. Maybe it's because my personality changed, but I still like the older movies he made. I even like his short animation, "Vincent," because it has charm that a lot of his newer movies do not. So that's why don't I like his newer movies, especially Sweeney Todd. There are more in-depth reasons for that, too.

I honestly feel like he's sold out, especially because he may have found himself a solid audience. I think it's irritating how he constantly uses Johnny Depp and Helena Bonham Carter in predictable roles, and I think his new films lack the charm his older ones did. Excluding Dark Shadows (but wishing it had been cast differently just for variety's sake) and possibly Frankenweenie (when I see it), it feels like he's using the same themes and ideas constantly.

This video explains everything I feel.

Look at Christopher Nolan and how he uses his small pool of actors; in Inception, he uses Tom Hardy and Joseph Gordon-Levitt as very intriguing secondary characters with likeable personalities, and in The Dark Knight Rises, he uses the same two actors in quite different ways, the former as Bane, a dreadful nemesis who breaks Batman's back, and the latter as the no-nonsense loose-cannon Robin guy (executed superbly for the tone of the film). I feel that, if you're going to use the same actors, use them with versatility. Don't cast them as predictable tin-types of former characters.

 Okay, so let's get to the point; I apologize for ranting so much. I did not like Sweeney Todd mainly because of the casting. Being a purist, having seen the show before the movie, I think Sweeney should have been played by an actor with a powerful baritone who could brood, but not in an overdone manner (any picture I find of Sweeney Todd happens to be one of Johnny Depp scowling or looking hesitantly crazy).



George Hearn (on the top with Angela Lansbury) has much more depth on his face. If you know the story, you can feel the anguish of his character. The picture of Johnny Depp on the bottom is a proper depiction of the only face he has in most of the stills from the movie I've found. It's the same scowl. If you look up "Sweeney Todd George Hearn," you'll find so much variation in all of the faces he makes for the role. Hearn is subtle and relaxed as Sweeney, making "Epiphany" all the more jarring, and "A Little Priest" to be all the more hilarious (because you can see that he's lost his sanity). Depp, on the other hand, mumbles through every song and sounds nasally as he sings "Epiphany." "A Little Priest" was too subtle in the film. I wasn't laughing as much as I was for the stage production with George Hearn. Depp just doesn't come off as vengeful to me. He doesn't seem like he craves justice. Hearn had all of my favourite qualities as Sweeney, too. It may be because he was the first actor I saw to play the character, and made Sweeney Todd out to be a deeply-wronged individual I could feel sympathy for, from his bitter acknowledgement of the world around him to the absolute bliss he exudes whilst preparing to murder Judge Turpin, to his frightening epiphany to kill pretty much anyone who comes to his shop, to his utter horror of murdering his own wife. I can remember clearly all of his emotions, and to this day, his performances as Sweeney Todd is one of my favourites because of all of the depth he gave to the role. Johnny Depp was not memorable to me in any way whatsoever, and I honestly had to listen to both renditions of "Pretty Women" and "Epiphany" to get an opinion of Depp's once more. I did not care for Depp's characterization. It was boring, overly depressed, and just didn't display the best parts of Sweeney Todd I had become familiar with.

The same goes for Helena Bonham Carter as compared to almost any actress who has played Mrs. Lovett. She didn't sing as well as I was expecting, but people praise her for "singing fantastically." I know this was a movie and not theatre, but mumbling is still not a technique I would praise when someone is singing. It's like someone who was forced to go up and sing at karaoke by one of her friends and, being embarrassed, mumbled the song. Mrs. Lovett is a domineering and powerful character, who is the one who coins the idea of cooking the people Sweeney kills into meat pies. I'd expect for her voice to be as powerful as her character. Usually, a musical singer's voice reflects what type of character he or she is, regardless of whether the singer is on Broadway or in a film. I was very disappointed with the singing direction of the film, as a whole, and was deeply disappointed at how weak Bonham Carter's performance was in terms of vocalization.


 Compare these two women. In all honesty, tell me which one is more attractive.

Another thing that bothered me, too, was that Mrs. Lovett has always been seen by me as a homely or even grotesque-looking woman, and Bonham Carter is gorgeous. I feel like the character was cast all wrong, despite how "good" Depp and Bonham Carter look next to each other. I'd even go as far as to say that Depp was poorly cast, as well. He wasn't strong. Sweeney may have had some crappy things happen in his life, but he isn't weak in constitution. Depp is too much of a "pretty-boy" in my opinion for this part. Sure, Sweeney's supposed to be a somewhat attractive guy (how else would Mrs. Lovett be unrequitedly in love with him?), but Depp just looks like he's too young for the role, or just not powerful enough to impact anything for me.

To those of you who are fans of Tim Burton's, as well as fans of his awfully predictable casting, keep in mind that this is my opinion. I liked Tim Burton films. I thought he was very talented, and he still has his moments. I'm not trying to change anyone's opinion, and I'm not looking for anyone to try and change my own. I just want to get my thoughts across. This is what ranting is about.

So leave some comments; tell me what you think, and if you're defending Tim Burton, please support it with more than just "He's brilliant! His movies are art!" Go into detailed reasons as to why you think that. If you dislike him, give me your detailed reasons, as well.

Krennthief

Wednesday, September 19, 2012

Digital Film Projects Rock!

If you haven't seen my Twitter feed on the sidebar (for some reason), then you wouldn't know about a project I've begun for my Digital Film Production class! We've been assigned to look for scripts of movies we haven't seen before, read through them, and then watch the film and write a paper on the changes made during production.

What would be more perfect than to review this movie, once the project is finished? Well, a rainbow eucalyptus tree, perhaps. XD


Anyway, the film I will be doing my project on and reviewing will be the first Godfather movie! It'll be fantastic, and I can't wait to see it! It's just that reading through a script takes some time, especially for someone who doesn't do it for a living (yet).



Anyway, I'll let you guys know when I'm going to probably have the review up by, and in the meantime, I may have another anime review coming along, depending on when I'll finish Listen to Me, Girls, I'm Your Father! So hold on tight, and make sure to tell your friends, your kids, your husbands, your wives, your sister-wives, etc.

Oh, and comment if you've read any of my reviews! I like to know if you guys are reading them at all, or just looking at my pages for a second, and then leaving!

Krennthief

Monday, September 17, 2012

Anime Review - Usagi Drop

Usagi Drop

This is gonna be my second official review, and my first official anime review! I watched this a few nights ago (it’s a really short series—eleven episodes in length), and it’s right up my alley! Short, sweet, and light-hearted!

**THERE WILL BE OFFHAND SPOILERS**


Spoilers, you say?

This review is a lot more well-thought-out than my previous one, so enjoy!

Animation/Art: 8/10

I love noitaminA anime series (if you can’t tell, “noitaminA” is “Animation” spelled backwards; a bold name for a Japanese midnight programming block featuring anime). Tatami Galaxy, another series featured on noitaminA, is one of my personal favourites, so upon learning about the connection between these two wonderful series, I can now check out other series this programming block has to offer! But I digress—I’m here to talk about the overall quality of Usagi Drop’s animation.

Anime, in general, lately, has been very good in its animation value. If you were to look back only a few years, the overall fluidity you find this current year is not yet realized. This series is no exception to this influx of fluid and luscious movement—even as a slice-of-the-life anime—and uses unique techniques to boot; at the beginning of every episode, a pastel technique is used for colouring, rather than normal colour methods. It demonstrates a sort of nostalgic feeling of childhood in this way.


Four examples of the pastel-colouring style

As I was saying, about the fluidity, the framerate for anime seems to have increased, and this series uses this nicely, allowing for facial expressions to gradually and subtly appear, and movements to seem more tender and appropriate. It always perplexes, yet amazes me that slice-of-the-life can get fantastic animation, while some shounen even nowadays are still choppy and silly looking (even though this is a gross generalization).

Voice-Acting: 8/10

Being as straight-to-the-point as I can be, the series has excellent voice work (I find that a lot of Japanese-original dubs do), and all of the seiyuu play their roles well; from Daikichi’s young-but-aging tone, with gruff sub-tones and gentle overtones, to Rin’s appropriately childish and curious-sounding voice, which does not seem to stray too far from polite or sweet at any given time (unless she is teasing someone playfully).


His voice-actor is so good that he’s extremely annoying.

Music: 9/10

Like most slice-of-the-life anime, the music is very important to the overall mood of a scene. There are a lot of piano and acoustic guitar compositions, with other instruments, such as strings and reeds/brass/etc. tossed in the mix. Most of the music reminds one of a lullaby, but there is enough variation to give feeling to any sort of scene that may be in the show. It says a lot when you promptly download the original soundtrack after watching only a few episodes, so you could say that the music is good, at the very least. The composer, Matsutani Suguru, is not one I’m familiar with (and believe me, I’m familiar with a few anime series composers),  but they definitely showcase the feel-good nature of Usagi Drop through the wonderfully composed soundtrack.


How could you not imagine this shot with some sort of stringed accompaniment?

Story/Execution: 9/10

This series is based off of a manga of the same title (translated to “Bunny Drop”), and the concept of the series is actually very realistic and believable in terms of general anime/manga concepts.

Daikichi Kawachi, a Japanese man in his thirties, hears news of his grandfather’s death and travels to attend the funeral services. Upon his arrival, he notices a six-year-old girl at his grandfather’s house that he has never seen before.


I think this is one of the defining shots of the series: Daikichi taking notice of Rin upon arriving at his grandfather’s house.

It turns out that this girl, named Rin, is his late-grandfather’s illegitimate child, and her mother allegedly abandoned her and Daikichi’s grandfather. The family faces the predicament of who will take care of this child, and Daikichi, frustrated with his family making excuses for not taking her in, volunteers himself almost thoughtlessly.

What ensues following this situation is a heartwarming story of a good-natured and honest (albeit clueless) man, raising a child as if she were his own. Thanks to his involvement in Rin’s life, Daikichi meets new parent-friends, sacrifices his full-time position at a large company, and ultimately learns how to be a real father-figure, doing everything in his power to provide for Rin, who might as well be his own daughter.


Daikichi pinky-swearing to Rin that he will try to get off of his full-time job as early as he can so he can pick her up from nursery school.

I have not come across a more refreshingly sweet anime in a very long time, and the only bad thing I can say about it is that the source material goes further than the adaptation—we see that, in the future, Rin, as a teenager, develops an unhealthy-sounding longing for Daikichi and they get married when she turns eighteen.

Now, I haven’t read the manga, but this definitely turns me off to it, and it’s not only because the whole situation goes against all of my values, but it also seems like a lot of stories coming out of Japan lately seem to involve some sort of incest-based romance… Take My Little Sister Can’t Be This Cute, for example; the title says it all. But the biggest difference between that and Usagi Drop is that the former played the concept mainly for laughs (except how the ending is kind of serious about the incest...), whilst Usagi Drop is primarily a dramatic story (from what I gather), albeit the light-hearted humor in the beginning.

Reading about this ending after witnessing the portrayal of the sweetest and most innocent relationship between characters in any anime I’ve ever seen was enough to make me mad, and also enough to become hesitant on lauding this series so much, unfortunately.

Still, I have to say that I loved this series very much. The characters were excellently portrayed, the concept was realistic, yet interesting, and the relationships were engaging and fun. Overall, I now regard this as one of my favourite series, and I like to pretend that the ending in the manga is just some gross fan-fiction. Be sure to check it out! As far as I know, it’s still on Crunchyroll for free!

Overall: 9/10


There's evil afoot! Daikichi... Away!!!

Thanks for reading, and be sure to tell your kids, tell your wife, and tell your husbands, too, ‘cause I’m reviewing all kinds of stuff out there!

Krennthief

Saturday, September 15, 2012

Anime Reviews Coming Soon, too!

I've been watching a few new series, lately, and I've decided to review them! I'll get to it later, though, when it's not two in the morning. XD

I will, however, describe my "specifications" of the series that I will review:
  • A series will be no longer than thirty episodes in length; ongoing series will definitely be out of the question
  • I am not really a fan of action-driven storylines, so I will review mostly character- or plot-driven storylines
  • I will also not watch anything that relies on sexual content for the majority of its entertainment; stories can be good without it
If anyone recommends to me a series they feel fits my specifications and tastes, I'll gladly watch it and let you all know what I think!

Anyway, an upcoming review is Usagi Drop, a manga-based anime involving a man who brings his late grandfather's illegitimate daughter under his care. It's one of the sweetest and most innocent things I've seen in a while, so it will be a good start!

I'm also currently watching one called Listen to Me, Girls, I'm Your Father!, which caught me by so much surprise at the second episode that I just have to keep watching it. But god, it kind of makes me angry, and I'll get to that, soon, so you understand why.

For now, goodnight! I'll finish my Usagi Drop review soon, as well as one for Reservoir Dogs!

Krennthief

Friday, September 14, 2012

Lost in Translation Review

Lost in Translation

This is the first film review I have ever done, so bear with me if I am offensively vague—I swear I will get better in due time…

Okay! So I watched this on Netflix a few weeks ago (unfortunately, it isn’t fresh on my mind), and I enjoyed it! Here are the reasons:

Cinematography: 8/10

The film showcased a style that I was pretty happy to see—one almost reminiscent of some slice-of-the-life anime series I’ve seen lately (I have a feeling this came out way before most of those even started to become popular). The shots focused on the subjects in a way that allowed for their emotions to be easily interpreted, and due to this use of technique, very little dialogue was necessary to convey the feeling of the scene.
 

Bill Murray, holding a stuffed owl. You should know why.



Scarlett Johansson looking all bored.


Music: 9/10

My brother owns a copy of this film’s score, and he claims it to be amazing. I concur with his sentiment, because, as I watched the movie, I almost immediately took notice of the appropriateness of the music. At the end of the film, when Bill Murray’s character, Bob Harris, says goodbye to Scarlett Johansson’s character, Charlotte, “Just Like Honey” by the Jesus and Mary Chain plays the film out to its credits. The choice for this song as a play-out is perfect as a final farewell between the characters. I couldn’t agree more with my brother that this movie’s score is amazing.

Direction: 8/10

Sofia Coppola utilized the seasoned chops of Bill Murray to play a character that seems oddly different, yet somewhat familiar, to other roles he’s played. He’s still very snarky and sarcastic, but rather than being a lively individual, Coppola has him play a more bitter and almost depressed version of his normal character type. Murray pulls this off extraordinarily, as the viewer relates and empathizes with his demeanor. Johansson plays her role of a troubled young wife very well, and the connection the two characters share feels so natural and realistic that you can only appreciate these two leads more for adding so much depth and dynamic with the lenient yet precise direction of Sofia Coppola.

Story: 8.5/10

Bob Harris, an aging actor, flies to Tokyo, Japan to appear in advertisements for a whiskey, leaving his family behind. He doesn’t speak a lick of Japanese. Naturally, this leads to some hilarious sequences in which Harris is snapping remarks to his director during the shoot, turning down a call girl somebody has sent up to his room, and other such hijinks. Charlotte, the wife of a photographer on business in Japan, is left alone during the day in their hotel room. Charlotte and Bob meet officially at the bar in the hotel and hit it off immediately, due to their similar fish-out-of-water situations. They form a friendly relationship that is left in ambiguity by the end of the film, and inevitably go their separate ways.

Many people generally dislike the film because they felt that it had no point, when really, they just did not understand the concept Coppola used. A good story isn’t based on high-action, intense romance, or raunchy comedy—a good story is just an account of important and meaningful events, regardless of the level of action, romance, or comedy. The point of slice-of-the-life is to demonstrate that even the mundane can be entertaining, and that life is full of quirks and surprises.

I understand, though, that a lot of people do not care to slice-of-the-life, so this one is one that I can only recommend with the disclaimer that Your Mileage May Vary. Personally, this is one of my favourites, but I can understand if somebody doesn’t care for the genre. Bill Murray did become one of my favourite actors because of this movie, though… If you’re a fan of him, you at least have to check it out!

Overall: 9/10

Thursday, September 13, 2012

TV Tropes

Personally, I always go to TV Tropes after I've seen any sort of movie, finished some sort of anime series, or beaten some sort of game. I find that it helps me remember things about what I had just experienced, and it also helps me formulate opinions (which may or may not be a good thing).

What I'm getting at, however, is that TV Tropes allows one to become aware of the devices and ideas some authors of media use to attempt to make their works successful. I try to take some tropes into account when I write, and even while I'm watching a movie, I'll point particular ones out that I catch.

I'm not going to link you to the site, because that would be evil. If you are new to TV Tropes and find it to be really interesting, you will not do anything other than read and read and read and read and read and read and read and read. There is SO MUCH on that website that it could consume your life if you so happen to take it to your liking. Thankfully, that phase has passed for me, and I limit myself to one film, game, or anime finished a visit.

Krennthief

Welcome!

Krennthief, here, with an all-new blog for my pursuit in filmmaking! In regards to my other blogs, I deeply apologize... Life got busy, and I lost interest in those other projects... I am deeply apologetic to my old friends whom I've abandoned with the Light Novel Brigade, but I had to move on... I'm sorry I hadn't told you guys any earlier. Anyway, I will be posting regular project aspects here, as well as some reviews on films I've seen. I might even post my must-watch movie list here, and use it as a sort of reference for you guys. Anyway, please tell your friends about this blog; I wish to make it somewhere with this passion of film!

Krennthief